課程名稱 |
全球脈絡中的西方音樂 WESTERN MUSIC IN THE WORLD CONTEXT |
開課學期 |
98-1 |
授課對象 |
文學院 音樂學研究所 |
授課教師 |
陳人彥 |
課號 |
Music5066 |
課程識別碼 |
144EU0940 |
班次 |
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學分 |
3 |
全/半年 |
半年 |
必/選修 |
選修 |
上課時間 |
星期一6,7,8(13:20~16:20) |
上課地點 |
樂學館105 |
備註 |
本課程以英語授課。 限學士班三年級以上 總人數上限:15人 |
Ceiba 課程網頁 |
http://ceiba.ntu.edu.tw/981westernmusic |
課程簡介影片 |
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核心能力關聯 |
核心能力與課程規劃關聯圖 |
課程大綱
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課程概述 |
THIS COURSE EXPLORES THE PHENOMENON OF WESTERN MUSIC IN THE CONTEXT OF WORLD MUSICAL TRADITIONS AS A WHOLE. IN OTHER WORDS, IT CONSIDERS WESTERN MUSIC NOT AS AN AUTONOMOUS, SELF-CONTAINED PRACTICE, BUT MORE BROADLY INVESTIGATES THE INTERACTIONS, TENSIONS, AND CONFLICTS AMONG DIVERSE MUSICAL STYLES, CULTURES, AND IDEOLOGIES, WITH THE CANONICAL EUROPEAN REPERTORIES AS A FOCAL POINT. HENCE, THE ISSUES OF HEGEMONY, EXOTICISM, COLONIALISM, AND POSTCOLONIALISM WILL BE OF PARTICULAR CONCERN IN THIS COURSE. WE SHALL CONSIDER THE WAYS IN WHICH THE OFTEN UNEQUAL POWER RELATIONSHIPS THAT CHARACTERIZE THE ENCOUNTERS OF DIFFERENT TRADITIONS ARE BOTH HIGHLY PROBLEMATIC AND POTENTIALLY PRODUCTIVE OF VITAL NEW CULTURAL FORMS, PRACTICES, AND IDENTITIES. |
課程目標 |
TO DEVELOP AN UNDERSTANDING OF GLOBAL MUSICAL AND CULTURAL INTERACTIONS NOT MERELY AS THE "MIX" OF CULTURES, BUT AS COMPLEX, DYNAMIC INTERACTIONS OFTEN WITH SOCIAL, POLITICAL AND ETHICAL IMPLICATIONS |
課程要求 |
CLASS PARTICIPATION (ATTENDANCE, CONTRIBUTION TO DISCUSSION, RESPONSE PAPERS) 50%
SEMESTER RESEARCH PROJECT 50%
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預期每週課後學習時數 |
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Office Hours |
每週三 16:00~18:00 |
指定閱讀 |
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參考書目 |
BERGERON, KATHERINE AND BOHLMAN, PHILIP V., EDS. DISCIPLINING MUSIC: MUSICOLOGY AND ITS CANONS (CHICAGO, 1992).
BHABHA, HOMI. THE LOCATION OF CULTURE (LONDON, 1994)
BORN, GEORGINA AND HESMONDHALGH, DAVID, EDS. WESTERN MUSIC AND ITS OTHERS: DIFFERENCE, REPRESENTATION AND APPROPRIATION IN MUSIC (BERKELEY AND LOS ANGELES, 2000).
HEAD, MATTHEW. ORIENTALISM, MASQUERADE, AND MOZART’S TURKISH MUSIC (LONDON, 2000).
KRAUS, RICHARD CURT. PIANOS AND POLITICS IN CHINA (NEW YORK, 1989).
MORGAN, ROBERT, ED. MUSIC AND SOCIETY: MODERN TIMES (ENGLEWOOD CLIFFS, NJ, 1993).
NETTL, BRUNO. THE WESTERN IMPACT ON WORLD MUSIC: CHANGE, ADAPTION, AND SURVIVAL (NEW YORK, 1985).
SAID, EDWARD. ORIENTALISM (NEW YORK, 1979). |
評量方式 (僅供參考) |
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週次 |
日期 |
單元主題 |
Week 1 |
9/14 |
Introduction |
Week 2 |
9/21 |
Western Music in the World Context: Preliminaries |
Week 3 |
9/28 |
20th-Century Western Art Music in the World Context |
Week 4 |
10/05 |
Western Musical Concepts and Institutions in the World Context |
Week 5 |
10/12 |
Interactions of Western Music and “World” Musics |
Week 6 |
10/19 |
Traditional Identities and Western Music |
Week 7 |
10/26 |
Western Music in the World Context: Preliminary Conclusions |
Week 8 |
11/02 |
The Concept of “Western” Music |
Week 9 |
11/09 |
“West” vs. “East” |
Week 10 |
11/16 |
Western Music and Its Others: Principles |
Week 11 |
11/23 |
Hybridity and “Third Space” |
Week 12 |
11/30 |
Western Music and Its Others, Case Study 1: Mozart |
Week 13 |
12/07 |
Western Music and Its Others, Case Study 2: Bartok |
Week 14 |
12/14 |
Western Music and Its Others, Case Study 3: “New” Music |
Week 15 |
12/21 |
Final presentations |
Week 16 |
12/28 |
Final presentations |
Week 17 |
1/04 |
Final presentations |
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